By Butler Shaffer
From a libertarian standpoint, premised upon admire for personal estate and the rejection of coercion, a dialogue of what's referred to as "intellectual estate" - e.g., copyrights, patents, emblems - needs to specialize in an analogous questions that attend extra common inquiries into estate possession. How do such pursuits come into life? How is decision-making exercised? and the way are pursuits transferred or misplaced?
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Additional info for A Libertarian Critique of Intellectual Property
As best I can tell, the artist Duccio created the first of such paintings, later followed by Botticelli, Leonardo, Michelangelo, and Raphael, not a second-rater in the bunch. Given the spirit of IP protectionism, should an asterisk be placed alongside the names of each of these subsequent painters to indicate their lack of respect for the original and exclusive claims of their predecessor? Have their works demeaned the contributions of Western Civilization to the artistic and spiritual betterment of mankind?
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The Free Press, 1963). : Harvard University Press, 1930), pp. , pp. 37, 46; Temporary National Economic Committee, Competition and Monopoly in American Industry, Monograph no. : Government Printing Office, 1940), p. ”, in The McKinsey Quarterly 1996, no. 4: 205–11; Simon Brady and Caren Chester-Marsh, “The Madness of Mergers,” Euromoney, September 1991: 66–81; Rudi Vander Vennet, “The Effect of Mergers and Acquisitions on the Efficiency and Profitability of EC Credit Institutions,” Journal of Banking and Finance 20, no.