By Andrew Laird
The quantity makes greatly to be had a few very important scholarship at the canonical texts of old rhetoric and poetics. whereas there are many stories of common tendencies in classical feedback, this assortment deals direct discussions of basic resources, which offer an invaluable spouse to the Russell and Winterbottom anthology, historic Literary feedback. the amount incorporates a chronology, feedback for extra analyzing, a brand new translation of Bernays' 1857 essay on katharsis, and a major introductory bankruptcy addressing the strain in historical literary feedback among its position within the classical culture and its function in modern endeavors to reconstruct historical tradition.
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Extra resources for Ancient Literary Criticism (Oxford Readings in Classical Studies)
Quia non videtur simul et narrationis celeritas potuisse conecti et opus tam velociter expediri, ut ad verbum posset occurrere). For Lessing, ‘succession of time is the domain of the poet, space is the domain of the painter’: Homer thus sensibly recounts the origin and manufacturing of the shield rather than the completed picture (which is the province of visual art rather than poetry). Lessing, tr. E. McCormick (Indianapolis, 1962), 215–17, acknowledges that his distinction between the shields of Homer and Virgil was ﬁrst made by Servius, although he does not seem to grasp everything Servius is saying.
Trapp, The Philosophical Orations: Maximus of Tyre (Oxford, 1997). : Dissertationes: Maximus Tyrius (Leipzig, 1994). ›› Life of Apollonius 6. 19. Compare Longinus’ account of phantasia in On the Sublime 15, but also Aristotle Poetics 9. 1451a37: ‘the poet’s job is saying not what did happen but the sort of thing that would happen’. 18 Andrew Laird which was extensively preﬁgured in an oration by Dio Chrysostom (12. ’›ﬁ This was just one element of a further strain of aesthetic and literary theory which developed in the traditions of Neoplatonism from the third century ad onwards.
It was noted at the beginning of this discussion that the gradual institution of ancient literary criticism as a circumscribed ﬁeld of enquiry illustrated a change in the nature of the classical tradition as a whole. That tradition, which was once a fundamental part of our own literary culture has now become something more remote, something which has fallen into the hands of the specialist. And the specialist is bound to be preoccupied with the problem of reconstruction, with recovering the ideas and concepts which the ancient writers expressed and with which they worked.